So it hasn’t been quite as quiet as predicted. ALICE toured in the spring and received some amazing reviews so that’s touring again from October. We spent several weeks over the summer developing a new hip hop circus and dance-theatre adaptation of the JUNGLE BOOK and we’re also just about to premiere a short circus piece about DNA/twins and epigenetics for a very glamorous party next month – rumour has it both Boris Johnson and Benedict Cumberbatch will be there, among others. That is a lot of glamour!
Also been busy having another baby – little Finn who was born 6 weeks ago and has already attended two conferences (one on circus at the Lighthouse in Poole, one on science theatre/public engagement at the Wellcome Trust) and acquitted himself well at both. Admittedly he almost hit someone from the Arts Council with his epic projectile vomiting and he soiled himself so badly over the lunch break I had to throw his babygro away but crucially, bar a few minor squeaks, he slept quietly throughout both – long may that continue! And even the academics and policy wonks at the second conference were very supportive of and receptive to the tiny human being in their midst and I was waited on hand and foot over the networking lunch. I didn’t get much networking done – sat in the corner breast-feeding – but I was brought lots of food by helpful delegates!
Oops, fell off the blogging train in spectacular fashion. In my defence after we got back from Morocco I opened a show in June (MONKEY & CROCODILE), another in September (WELL), another TWO in November (ALICE plus a cheeky little 10 minute one called BREAD as part of Theatre Uncut) and one more in December (DUSA, STAS, FISH & VI)! So it was a busy old year.
Meanwhile Noah has learned to talk – am teaching him ‘To be or not to be’ – he’s currently got most of the first line down and then the last word of the following 5 lines. I’m hoping he’ll have it all down by his second birthday at the end of May. I mean what’s the point of kids if you can’t plaster your theatre company’s logo all over them and teach them Shakespeare speeches to show off at parties.
This year looks set to be a little quieter with ALICE going out on tour in the spring and then just a few things in development for next year. But who knows, maybe by next week several more shows will have sprouted…
We’ve just returned from Morocco. What bliss. But also hard work with an 11 month old baby. We visited 8 cities over 15 days (including a tiny village in the desert and a Donkey Sanctuary in the foothills of the Atlas mountains) all in the search for Moroccan stories and story-tellers which are sadly an elusive (and dying) breed. We also met with the National Theatre in Rabat who are really interested in the project and potentially interested in co-producing (watch this space). It was a huge success both artistically and strategically and Noah had the time of his life – especially getting lost in the souks of Marrakech and Fez where he would have happily stayed for days.
Full of stories and tagine, and a little bit browner than when we left (in Noah’s case a lot browner) now all we have to do is create some sort of show from the experience. And quickly! On June 8th we’re showing a 10 minute scratch performance at the Battersea Arts Centre for their Scratch Festival so we’d better have something to show by then!
And MONKEY & CROCODILE opens next month. Plus we’re reviving our 2007 smash hit HIDDEN LIGHT for one night only at an academic symposium in York. And I’ve also got to fit in some days with the magicians developing their latest show – which is a full on narrative this time (Morgan & West’s A Grand Adventure). June is going to be busy…
After a relatively quiet March things starting getting busy again in April. We held a Research & Development period for WELL – our aerial dance theatre piece exploring arsenic poisoning in Bangladesh culminating in a 45 minute showing to industry and critical friends. Mostly Noah was out of the rehearsal room until the post-show discussion when his babysitter had to run for a train. So yet again I spent another post-show discussion breastfeeding. It’s becoming a bit of a trend.
And then we held auditions for the third performer for Monkey & Crocodile – a trumpet playing Crocodile’s Mother. A bit niche. I have so many actors writing to me asking to be seen for Metta shows and I always feel a bit sorry for the straight actor types because unless you’re an opera singing, puppeteering stilt walker you’re unlikely to get a look in.
And now to pack for Morocco – we’re off for two weeks to research and develop a new show HALQA – with Lahcen Razzougui, star of our ARAB NIGHTS last year, which will explore the oral storytelling traditions of Morocco. I can’t wait, and neither can Noah I’m sure – it’s his first trip abroad and his first flight. Finger’s crossed he doesn’t scream the whole way there.
January brought snow and a new opera about Locked In Syndrome. Flicker opened at Sadlers Wells Lilian Baylis Studio after a super short 3 day rehearsal (we had planned a semi-staged concert performance but as ever we made something much more finished). It was a huge success with audience and funders so finger’s crossed for the future – which we hope will be a UK tour in 2015. It was a frantic week though, but much less of a drain than a full rehearsal process – although Noah at 8 months has just started feeling the pangs of separation anxiety so packing him off to several different baby-sitters throughout the week became increasingly stressful. Oh for the days when I could hand him over to all and sundry.
This week to compensate I’ve reverted to bringing him along to all my meetings and interviews – just like the old days when he was a tiny little thging. It’s worked surprisingly well so far – I breastfed through a job interview for a Young People’s Project at the Young Vic and much to my surprise got the job! And then I took him along to a meeting about directing a production of Medea for Actors of Dionysus. Somewhat inappropriate material to discuss in front of your son but he totally charmed Tamsin – the Artistic Director of AOD – who has her own 15 month old.
Then finally we caught up with the Wellcome Trust who have just awarded us another grant to develop a new circus/dance theatre piece about arsenic poisoning in Bangladesh – and again Noah was on good form although he did wander off at one point (he’s on the verge of walking unaided and can travel quite far with an ungainly sort of lame legged bum shuffle) but at least we’ve had no repeats of the infamous Arts Council meeting poo-mageddon incident!
Turns out touring with a small baby is quite fun – though I’m sure less fun if you’re not also on tour with your husband. But Noah had a lovely time in Stratford – where he made an unplanned appearance in the post-show workshop and much to the horror of one of the cast I proceeded to breastfeed throughout – which amazingly, given the audience was comprised entirely of 17 and 18 year olds, didn’t raise a titter. If my brain were less sleep deprived I’d try and make a witty pun about titters and tits…please invent one yourselves. Thanks.
Manchester was also fun – Noah was recognised in the Royal Exchange green room before we were – his presence on Metta Theatre social media being such that someone from marketing came over and said – ‘I recognise that baby, is that Noah?’ Who knew babies could also be such useful marketing tools? I suppose putting him in a Metta branded babygro has helped…
Bury St Edmunds was freezing cold so we managed to fit in a very frosty but very beautiful walk around the Abbey ruins (with Noah wrapped up tightly in the sling of course). And then finally Exeter, where we managed to fit in a few site visits for playgrounds for the Monkey & Crocodile tour which will tour there in the summer. Then true to form, on the last night of Arab Nights Noah was out partying with us til the small hours, in the Bike Shed Theatre bar and of course flirting with all the women (especially the random hen party. Bit weird.)
And then Christmas and New Year. A genuine rest from work. Mostly. Though of course with a baby one can’t just slob out in front of the telly any more. Alas. But we did manage a few lie-ins.
And now – onwards with Flicker – which opens (and closes) on the 24th. Already half full which bodes well. And reaming and scheming of more shows so watch this space.
Turns out mounting a production at the Soho and juggling a six month old baby is quite hard work. Who knew? But the show is up (and selling out) and Noah is still alive (and currently asleep) – win win!
The somewhat ludicrous highlights of the last month then – crowd-sourcing our childcare through Facebook for the first week of Arab Nights rehearsals at ETT – every three hours another willing volunteer (although I think we may have exhausted our supply of free childcare now). Breastfeeding through an interview for the Metro and a recorded interview for Theatre Voice – if you listen carefully towards the end you can hear Noah snoring softly. A late night meeting with our Sound Designer which I spent pumping the milk from my breasts, much to his amusement. And then tech and production week where Noah got handed round more people than he’d probably ever met in his short life – hilariously the venue, ever mindful of health and safety – also made us fill out a risk assessment especially for him!
Every lunch break being filled with production meetings, marketing meetings and press interviews while simultaneously breastfeeding was quite a strain. As was the averaging 4 hours of sleep, and the great decision to build the set – consisting of 1001 shoeboxes – in our flat. But we got there in the end and I have never been more proud of a project and my team before.
Finally press night on Thursday where – decked out in his new Metta branded babygro – Noah flirted outrageously with Libby Purves from The Times – finger’s crossed that equates to a good review, watch this space…